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Maybelline changes its iconic slogan after 35 years: Miley Cyrus fronts the new brand platform

Maybelline replaces “Maybe she’s born with it” with “Maybe. We’re born with it” and launches a worldwide content platform with Miley Cyrus. What lies behind the Gen Z repositioning.

From Social Rocket editorial team

This text was created with AI assistance and reviewed editorially before publication. All sources are linked below.

Miley Cyrus as Maybelline brand ambassador in a brand film studio with a pink backdrop
Maybelline New York / L'Oréal (offizielles Kampagnenmotiv)

On 10 November 2026, Maybelline permanently changed the advertising slogan it has used since 1991. “Maybe she's born with it. Maybe it's Maybelline” becomes “Maybe. We're born with it. Maybe. It's Maybelline.” The new line kicks off a worldwide brand platform with Miley Cyrus. For beauty marketing, what stands out is how Maybelline turns a well-known melody and 35 years of brand recall into an ongoing content idea.

A familiar slogan takes on a new role

Maybelline keeps the two words that practically everyone knows from its advertising. With “We're” instead of “she's”, the brand now speaks of a shared experience, and the casual “Maybe” becomes a standalone motif for change. The new platform is called “The Beauty of Infinite Possibility” and, according to the official announcement of 10 November, launches worldwide later this month.

This is about more than a re-cut brand film. Maybelline's own campaign page links the central theme to personal stories, make-up tutorials and specific products, from Sky High Mascara to Super Stay Matte Ink. More stories from women in music and other fields are set to follow. The claim thus becomes a shared umbrella for product communication, social content and collaborations.

Miley Cyrus provides the unifying element

The singer is no new discovery for Maybelline. Back in September 2025, the brand presented her as its global ambassador and had her reinterpret the familiar jingle. The earlier announcement planned deployments across TV, digital media, social and point of sale. A year later, this collaboration is given a lasting narrative role within the new brand platform.

Cyrus also fits the approach because her shifts in music and style are themselves part of her public identity. Maybelline uses this connection not merely as star casting for a spot, but as a recurring starting point for new looks, personal stories and product applications.

Similarly, Gap builds its “fashiontainment” with music and recurring talent. Both brands are trying to translate a famous brand identity into a culturally relevant content framework.

Why the beauty market explains this move

The younger competition is now much more than a handful of affordable make-up brands. In the Piper Sandler survey from autumn 2026, e.l.f. ranks first among American teenagers' preferred cosmetics brands, followed by Rare Beauty and rhode. Influencers, social platforms and celebrity brands help shape what gets talked about. In the survey, TikTok has even made it into the top ten beauty shopping destinations.

That is why Maybelline's change is strategically noteworthy: the brand is not discarding its recognisability, but reinterpreting it for an audience that discovers products through tutorials, personalities and shared trends. How closely social and retail have grown together is already visible in Germany in Rossmann's K-beauty strategy with creators and TikTok.

Market research also matches this shift in tone. The European consumer study by Cosmetics Europe from 2026 increasingly describes cosmetics in connection with self-confidence and everyday well-being. Maybelline is now making this meaning the core of its brand message.

The real marketing value lies in a repeatable format

For marketing teams, the interesting question is not whether to change a famous slogan. It is about how new content can emerge from it over months without every campaign starting from scratch. A shared idea carries the brand film, while different creator stories and product applications can fill the feed.

The approach differs from a one-off celebrity spot as well as from a mere product push. L’Oréal’s Urban Decay microdrama on ReelShort shows a similar shift: beauty brands are investing in storytelling formats that people want to watch even without a specific purchase intention.

Maybelline’s new claim is meant to provide exactly this connecting element: an internationally recognizable brand idea that can be retold again and again for different people, products and platforms.

Image: Maybelline New York / L’Oréal. Official visual of the cooperation with Miley Cyrus, which has existed since 2025.